September 22, 2012
Hear Ye! Hear Ye! Cutting against the prevalent trend towards a disembodied and dematerialized world of digital slip n slide, we have made an ultra super mega deluxe physical object available to those who wish to acquire such thingly things. To wit, there is a deluxe edition of our imminently forthcoming release, The GANZFELD Ep which you can pre-order from Thrill Jockey Records. In order to allow you to replicate the experimental conditions that generated these recordings in the comfort and safety of your own tastefully appointed homes, we’ve teamed up with the nice folks at InCase to create a special, signed and numbered edition of the EP that comes with eye coverings and some snappy headphones. Now all you need is a dark room and an open mind. Information about the pre-order for this limited release can be found below.
http://thrilljockey.com/thrill/Matmos/The-Ganzfeld-EP
posted by mcess at 4:49pm| Comments Off on
September 6, 2012
We are very pleased to say that Schwarz has made a devastating mix of our song “Very Large Green Triangles”.
You can proceed directly to our bandcamp page to download the song, and we ask that you consider making a donation to the Maryland Food Bank when you do so.
The kind folks at FADER Magazine have premiered the tune and here is a link to their very kind write up. Since “Very Large Green Triangles” is our approximation of Baltimore Club, we thought it appropriate to encourage listeners to give back. Collected donations will be passed on to this good cause.
If you want to hear more from Schwartz check out his music here:
soundcloud.com/schwarz420
Please stay tuned as we approach the release date of “The GANZFELD EP”!
posted by mcess at 7:28pm| Comments Off on FADER Magazine Hosts, Matmos supplies, Schwartz cuts the lines.
September 6, 2012
Our sometime backing band, frequent collaborators, and probably geniuses, HORSE LORDS has released their first album on Baltimore freak sound label Ehse. We’d like anyone reading this to buy this album. We were splattered by the sperm of it’s conception and by the blood of it’s birth, now it’s your turn. Go here.
posted by mcess at 6:41pm| Comments Off on Trying not to say, “Cute Band Alert!!!”
August 29, 2012
posted by mcess at 7:25pm| Comments Off on Feel the sound, touch the magic!
July 20, 2012
First, we want you to know about some imminent Matmos shows: On Sunday July 22nd, Matmos will perform at the 603qm space on Alexanderstrasse in beautiful downtown Darmstadt as part of our participation in the 46th Annual Darmstadt Ferienkurse. The concert starts at 10 pm and will involve many new participants and collaborators. You don’t have to be a composer to attend: plain old everyday human beings are also welcome.
On Monday, July 6th, Matmos will perform in London at the Southbank Centre as part of Antony’s Meltdown with some help from our Baltimore pals Owen Gardner and Sam Haberman (Horse Lords, Pleasure Wizard, Teeth Mtn, etc.) and o F F Love will also perform. There’s more info about this show, and the galaxy of miscreants that Antony has bundled together, right here. Consider this your counter-Olympics.
Okay, taking a deep breath for the BIG BIG NEWS: We are very pleased to announce that Matmos has signed to Thrill Jockey Records, distinguished purveyors of quality audio with a noticeable thang for Baltimore residents of late. Thrill Jockey will be releasing some new Matmos recordings and they will make more announcements about that shortly. Thanks to Bettina and all who sail with her! We’re going to take part in the Baltimore and New York concerts in honor of the 20th Anniversary of the label, and you can find lots of information about lineups and locations at the Thrill Jockey website, which is right here.
posted by mcess at 3:01pm| Comments Off on Matmos plays shows, changes teams.
June 28, 2012
Enjoying the silence is all very well, but sometimes you want to know what people are up to. In the spirit of oversharing, welcome to the newly updated Matmos website. (NEW URL, webbies, please take notice…) What have we been doing, you ask? We’re happy to say that after four years of labor we’ve finally wrapped up some new recordings. This candid snapshot was taken during the mastering sessions for said recordings, which took place at the home of Thomas DiMuzio. That’s his four footed associate, Penny. We’re going to tell you more than you could ever want to know about these recordings (what label? What format? EP? Album? What’s the “big idea”?) in another announcement. In the fullness of time, all things are possible.
Speaking of finishing things, this might also be the place for us to announce that, after twelve long years of grinding intellectual labor, Drew has completed the manuscript of his academic tome. “The Melancholy Assemblage: Affect and Epistemology in the English Renaissance” now malingers in the galleys stage (not the kitchen of a ship). This scholarly missive is forthcoming in the spring of next year from Fordham University Press, a press which home to all sorts of estimable authors like Jacques Lezra, Simon During, Jonathan Goldberg, Jean-Luc Nancy and Jacques Derrida. Which is nice if you like that sort of thing (Drew will talk your head off about his book if you let him, so please invite him to your campus to do that). Speaking of academic writing and Matmos, please consult the Journal of Popular Music Studies for an extraordinary co-authored essay by Michael Snediker and Rick Moody. Tell us your thoughts once you’ve read it.
Having tied up many of the loose ends associated with the new Matmos recordings and Drew’s book, M. C. Schmidt and Drew re-joined “(theLID”, their ongoing collaborative sound/music/dance project initiated by the Germany-based choreographer Ayman Harper. Leaving our home safely in the hands of various house sitters from Baltimore’s best new band Horse Lords, we flew off to the lovely city of Dresden for the final installment of this project, which has already erupted in Frankfurt, Berlin and Houston. For the Dresden run we were joined by a new dancer, cute waiters at a nearby pasta restaurant, several miles of dayglo gaffer tape, vast acres of reflective mylar space blankets, and lots of post-show Q+A rap sessions. Here are some photos from the final blowout.
Wiping the tears from our eyes and recovering from the dark and noisy world of the lid, we skedaddled from Dresden to Amsterdam, to re-connect with another starstudded collaborative affair: the Robert Wilson directed multimedia colossus which is “The Life and Death of Marina Abramovic”, an opera starring Marina Abramovic, Willem Dafoe, Antony and lots of other folks. Matmos is part of the musical ensemble for the production, alongside Gael Rakotondrabe (Piano), Doug Wieselman (Clarinet, Guitar), Oren Bloedow (Bass), many fine singers, and the sound art of William Basinski. This production is a globetrotting monster, and major hats off to Matmos webmistress J Lesser, who was Drew’s understudy for the Madrid production, and who singlehandedly replaced both M. C. and Drew for the Basel production. How he did it, we don’t know (by the way he has a rad new tape out of solo modular synthesizer music). As of this missive, M. C. and Drew are back in the saddle. Which mostly consists of hunching in a pitchblack orchestra pit and wait for the red cue light to go off. Then we play music, make noises, and then fret and freak out some more. The show is amazing, and there are all sorts of rumors about whether or not it might wind up in some other major cities of the world, so save your pennies.
Is there life after death? We don’t know. Is there life after “The Life and Death of Marina Abramovic”? Yes, most assuredly. Having finally wrapped up the LADOMA affair in the fine Belgian city of Antwerp (home to avant garde high fashion, chocolates shaped like severed hands, and horse meat restaurants), Matmos is going to enjoy itself in Berlin for ten days. Then it’s off to Darmstadt, where, ahem, M. C. Schmidt and Drew Daniel will be “Electronic Music Tutors” as part of the legendary Internationale Ferienkurse für Neue Musik, Darmstadt. We’ll be hosting a kind of masterclass on “The Material Poetics of Electronic Music”, and doing personal conferences and studio visits with individuals. Having long prophesized that at some point somebody was bound to notice that we are kind of self-taught and making it all up as we go along, we kind of can’t believe that we’ve been invited to take part in something this legitimate. Stay tuned for more information about the official Matmos concert which will be a part of the proceedings.
posted by mcess at 3:59pm| Comments Off on WHAT HAS MATMOS BEEN DOING?
March 16, 2012
Many people are aware that 2012 is the 100th anniversary of the birth
of Alan Turing, “The Man Who Cracked The Enigma Code”, much of whose
work remained secret until after his untimely death in 1952. Less well
known is that his Mother was Irish, and his favorite song was Molly
Malone, which, so the story goes, he insisted on rendering on the
violin to the police who came to arrest him on charges of gross
indecency, before agreeing to make his statement to them.
The recording by Matmos of Clodagh Simonds (Fovea Hex / Mellow Candle)
singing Molly Malone, was first featured on their FOR ALAN TURING ep,
part of a work commissioned in 2006 by The Mathematical Sciences
Research Institute at Berkely CA on the opening of their new
Mathematics Hall. It will be available as a free download for three
days only, March 16, 17, and 18, from the Fovea Hex Bandcamp page
foveahex.bandcamp.com . Matmos anticipate that the full FOR ALAN
TURING ep will be digitally re-released to coincide with Turing’s
100th anniversary in June 2012
http://foveahex.bandcamp.com/album/molly-malone-march-161718-only
posted by mcess at 4:28am| Comments Off on ALAN TURING : HONORARY IRISHMAN MEETS MATMOS / FOVEA HEX : THREE DAYS ONLY!!!
February 23, 2012
Martin joins So Percussion for their truly staggering performance stride across the landscape of John Cage’s (shockingly groovy) percussion work, and not-necessarily percussive work…sometimes simultaneously, sometimes not. Really, these guys show their frightening level of skill here…don’t miss it. Here’s the text stolen from Toronto Arts Online:
A celebration of John Cage’s 100th birthday with striking textures from vibraphones, drums, aluminum space blankets, tin cans, synthesizers, laptops, and, of course, an amplified cactus! Program includes John Cage’s Credo in US, Imaginary Landscape #1, the controversial 4’33’’ and a world premiere by turntable composer Nicole Lizée (Canada) featuring special guests M.C. Schmidt, from Matmos, and electronica musician Dan Deacon.
For tickets call 416.408.0208 or visit www.rcmusic.ca
Mar 2, 2012
At: Koerner Hall – Telus Centre for Performing Arts, 273 Bloor Street West, Toronto
Playing: Friday
Times: 8pm
Getting there: Take subway to St. George station. Cross the street and walk east a block to the Telus Centre for the Performing Arts. Located on the south side of Bloor St.
posted by mcess at 5:43am| Comments Off on So Percussion featuring M.C. Schmidt and Dan Deacon in Toronto “the Good”
January 2, 2012
Matmos has, to the best of our knowledge, never performed in the great
state of Texas. That’s not due to some high falutin’ cultural embargo
because the state’s governor is a homophobic secessionist cretin, no
sir. Many states in the union are saddled with similarly objectionable
human beings, so there’s no sense singling out the Lone Star state.
It’s simply because we’re lazy and it hasn’t happened yet.
But all that will change in the new year when we truck on down to Houston to
fire up the only American presentation of “(the LID”, our
improvisational-yet-kinda-composed collaborative project with the
choreographer Ayman Harper, a Texan who mostly hangs out in Germany,
and Jermaine Spivey, a dancer from Baltimore who also mostly hangs out
in Germany. We have already opened this particular LID in Frankfurt
and Berlin and we thought it might be nice to serve it up with a side
of chile rellenos, before we whip it out again in Dresden this summer.
We are grateful to the kind people of DiverseWorks for sticking their
neck out and hosting us.
That’s next Friday or Saturday January 13 or 14th…at 7:30pm
Perhaps someone will take us out for a drink on Friday?
http://diverseworks.org/2011/ayman-harper-with-matmos/
posted by mcess at 5:23pm| Comments Off on MATMOS DIPS DOWN TO TEXAS
December 26, 2011
Scanning the crystal ball into the foreseeable future, we want to
thank the people at AV Festival who had the crazy idea to ask Vicki
Bennett aka People Like Us, to curate 744 hours of web radio on the
theme of “Slowness”. Proposing musique-concrete as a labor-intensive,
and thus inherently “slow” form of music making, Matmos have stitched
together a four hour musique-concrete marathon which will be included,
needle-in-a-hay-stack style, within Vicki’s monthlong pool of
info-ooze. Expect lots of INA/GRM classiques, but also some curveballs
(don’t ask us why Monolake and Hair Police also count for us as
musique-concrete or we’ll give you that because-I-said-so look again).
More details (sort of) can be had here:
http://www.peoplelikeus.org/2011/coming_soon_radio_boredcast.html
posted by mcess at 8:10pm| Comments Off on How slow can you go?: Matmos gatecrashes PLU’s Slovenly WebRadio Blowout
