posted by mcess at 3:25am| Comments Off
The season of Ultimate Care continues with plunderiffic video by PEOPLE LIKE US made for Excerpt 5 of our new work, ULTIMATE CARE II.
Please watch in a darkened room with one hand on a recently washed snuggie. Imagine your self being washed, lovingly. Here is a new favorite toy:
posted by mcess at 5:02pm| Comments Off
We have worked very hard, placed mics just so, applied occult technologies, commissioned artwork and videos: the season of Ultimate Care has begun. Here is information about it, and how to order it, and some illustrations to help you understand.
Ultimate Care II is the new album from renowned conceptual electronics duo Matmos (Drew Daniel and M.C. Schmidt). Recorded in the basement studio of their home in Baltimore, the album is constructed entirely out of the sounds generated by a Whirlpool Ultimate Care II model washing machine. Like its namesake, the album runs across its variations as a single, continuous thirty eight minute experience that starts with the grinding turn of the wash size selection wheel, and ends with the alert noise that signals that the wash is done. Between these audio-verité book-ends, we experience an exploded view of the machine, hearing it in normal operation, but also as an object being rubbed and stroked and drummed upon and prodded and sampled and sequenced and processed by the duo, with some occasional extra help from an ultra-local crew of guest stars (some of whom regularly do laundry chez Matmos). Dan Deacon, Max Eilbacher (Horse Lords), Sam Haberman (Horse Lords), Jason Willett (Half Japanese), and Duncan Moore (Needle Gun) all took part, either playing the machine like a drum, processing its audio, or sending MIDI data to the duo’s samplers. The vocabulary of the Ultimate Care II, its rhythmic chugs, spin cycle drones, rinse cycle splashes, metallic clanks and electronic beeps are parsed into an eclectic syntax of diverse musical genres. The result is a suite of rhythmic, melodic and drone-based compositions that morph dramatically, but remain fanatically centered upon their single, original sound source.
In a visual analogue to the recording process, the artwork for the album is constructed entirely out of photographs of the machine in question shot in its natural habitat and then digitally manipulated by New York artist Ted Mineo. Lending trunk-rattling low end and sharp high frequencies, Rashad Becker mastered the album at D&M in Berlin. San Francisco motion graphics firm L-inc, who created the “Very Large Green Triangles” video for Matmos’ last album, “The Marriage of True Minds”, are slated to create a video to accompany Ultimate Care II. The duo will be performing in the United States and Europe to celebrate the release. The washing machine was not available for comment.
Thrill Jockey Records are our partners in getting this work to the world, please pre-order, with special incentives, here:
A short sharp excerpt is here:
posted by mcess at 7:00pm| Comments Off
If you would like to own a copy of this very limited edition vinyl record with cover art work by Kodi Fabricant, email firstname.lastname@example.org for information on how to do so.
I would appreciate it if you watched it full screen, all the way through, in a darkened room with your feet on a comfortable amount of warm clay. It is about 10 minutes long.
posted by mcess at 10:00pm| Comments Off
If you happen to be in Southend-on-Sea in Essex, in England, this is more than an album, it’s a live interactive experience of sound and place. We made these pieces to be listened to on headphones in Chalkwell Park surrounding the Chalkwell House, home to Metal, a local arts establishment, there. You download this app onto your phone and then go to the park and follow the instructions provided by us.
If you DON’T happen to be lucky enough to live or be on holiday in lovely Southend-on-Sea, (and it IS lovely) you can also listen to these pieces by downloading the app and…figuring out how to listen to it…in “armchair mode”. Experiencialate! Listensperience!
It’s also at Google Play.
posted by mcess at 5:36pm| Comments Off
NEW YORK CITY On Wednesday August 5th Matmos will play Lincoln Center Outdoors with Lee Ranaldo and Yo La Tengo!
BALTIMORE August 29th M.C. Schmidt and Jason Willett DJ/perform DJing “Windjammer” with Beach House, Future Islands and Dan Deacon and MORE! playing live.
SUSSEX, England What we worked on during that residency in Southend-On-Sea should be available for experiencialating sometime in September.
OSLO September 12th Matmos plays Robert Ashley’s “Perfect Lives” in Oslo, Norway:
KRAKOW September 17th M.C. Schmidt reprises his role as John Cage in “45 Minutes for a Speaker” with So Percussion in Krakow, Poland.
BALTIMORE September 21-27 M.C. Schmidt plays (and M.C.s) the 17th annual High Zero Festival of Improvised and Experimental Music in Baltimore.
Not JUST the festival, amazing in it’s own right, this year, but a set of sound installations by international sound artists, as well, “Sound Investments”…
INDIANA October 9th Matmos plays the Wounded Galaxies Festival with Cyclobe and others, in Bloomington, Indiana …The Burroughs Century, Ltd. presents
JERSEY CITY October 24th “Ear, Nose and Throat” (M.C. Schmidt, Jason Willett and Max Eilbacher) play as an introduction for PEOPLE LIKE US / Vicki Bennet’s new video work “Citation City” at MONTY HALL the venue run by WFMU. Please buy tickets, and if you do so, feel free to buy them in advance with this service: http://montyhall.ticketfly.com/event/904629-people-like-us-citation-city-jersey-city/
posted by mcess at 10:50pm| Comments Off
This summer sees us travelling around to make it convenient for certain people, the BEST people, in certain places to experience our sound work and world.
The special people this summer live in London-ish, England, Lisbon, Portugal, Braga, Portugal and Japan.
Starting June 15th we will be “in residence” at Metal, a gallery in Southend-on-Sea. We will create special site specific works to be experienced in the park there. It WILL be good enough for the people of London to get on a train and spend some time in the park there (and in the EXTRA-there we will create) eat a light meal and make it home before Game of Thrones comes on, or whatever. It will be MUCH more convenient and enjoyable, of course, for the people who already live in Southend! At some point, as yet undetermined, we will do an informal artist-talk at Metal. Perhaps this would be a good day for people to come early, enjoy some of the there there and then hear us talk about it! We may also play live…no one is certain…it’s a residential…flow…right? Matmos will leave Metal June 24th and go to
On June 25th we will do a workshop:
and on the 26th we will play a concert:
We have not double checked these websites for their accuracy, so make sure sure sure before just assuming this is correct!
Matmos will play a concert on June 27th in Braga
and on the 26th we will do a workshop! We will talk about how we make “music” and why, and why we make the decisions we do. If, perhaps you make electronic music of your own, bring it, maybe on a flash drive, and we can listen to it together and talk about it.
Then we pop back to London and will speak at Goldsmiths on July 1st…the details of this at the time of this writing are not worked out. I’m sure you and your pocket-computer could work it out together! Do come! We will talk, play sound work, and answer and ask questions.
Then we have a bit of time back in the loving sweaty arms of mother-Baltimore and then we’re off to
J A P A N
July 16 -25 Many venues, and kinds of venues, from bookstores to sweaty punk clubs, from private performances in love-motels to helicopter air-drops on the very very top of Mt. Fuji. Some of these are LIES. We will be salty AND sweet. Bruising AND massaging gently. HOT, with pepper. Matomosu!! Almost all shows are WITH the gentle super genius of pain, JEFF CAREY! But anyway, here’s the website:
posted by mcess at 7:13pm| Comments Off
Max Eilbacher helped by leaving a lot of files on my computer which I used as original footage (the VHS stuff at the beginning, which neither of us recognizes, which MIGHT be the French Canadian laff-riot “Juste pour rire“.) and as key-sources. Buy their album! It’s really really good!
posted by mcess at 5:55pm| Comments Off